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Syllabus

Course Number 1662-1111-01
Course Name Modernity and Its Discontents
Academic Unit The Lester and Sally Entin Faculty of Humanities -
The Multidisciplinary Program in the Humanities
Lecturer Dr. Yoav FromerContact
Contact Email: yoavfromer@tauex.tau.ac.il
Office HoursBy appointment
Mode of Instruction Lecture
Credit Hours 4
Semester 2023/2
Day Mon
Hours 12:00-14:00
Building Gilman - Humanities
Room 326
Semester 2023/2
Day Thu
Hours 12:00-14:00
Building Gilman - Humanities
Room 326
Course is taught in English
Syllabus Not Found

Short Course Description

This introductory Course to the liberal arts examines the origins, meanings, legacies and consequences of Modernity starting in the 18th century with the dawn of European Enlightenment and stretching across three centuries to the aftermath of the Second World War. The course will explore the political, philosophical, economic, social, technological and cultural transformations ushered in by Modernity and will, among other things, ask the following questions: what does it mean to be modern? What values, norms and institutions does Modernity entail? What are its benefits and consequences? Is there a ?crisis? of modernity? Are we still living in a modern age ? and if not ? what comes after? Among the themes to be explored are: secularism and religion, individualism, science and rationality, democracy, bureaucracy, capitalism, nationalism, mechanization and industrialization, consciousness and identity, gender and race.
The course will engage a strong interdisciplinary approach and proceed thematically and chronologically through a study of key political-philosophical tracts paired with corresponding canonical works of fiction (primarily novellas and short stories). Readings will include works by seminal political thinkers such as Kant, Paine, Rousseau, Wollstonecraft, Marx, Freud and Nietzsche, and by novelists and poets such as Balzac, Goethe, Dostoevsky, Conrad, Kafka, Woolf and Beckett. The readings will be complemented by works of art (David, Goya, Friedrich, Munch, Picasso, Dali, and Magritte) and Music (Mozart, Wagner, Beethoven, and Stravinsky) in an effort to demonstrate how powerful impulses of Modernity manifested themselves commensurately across different forms of aesthetic representation.



Full syllabus is to be published
Course Requirements

Homework

Students may be required to submit additional assignments
Full requirements as stated in full syllabus

The specific prerequisites of the course,
according to the study program, appears on the program page of the handbook



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